Wednesday, July 10, 2013

Workday Wednesday: Agnes Gaffney: Teacher and Model of Virtue



Agnes Catherine Gaffney (1872 - 1952)
Part Three of Three



Agnes Catherine Gaffney was one of four students in the graduating class of 1890 from Conneaut High School in 1890.  According to the 1940 United States Federal Census, she went on to complete three years of college, making her the highest educated member of her immediate family and the only one to have gone beyond high school.


Agnes Catherine Gaffney
 From a group photo with her sisters at their home
in Cleveland, Ohio.  It was likely taken in the
 mid-1930s.
She taught at various schools in Conneaut, Cleveland, and Ashtabula, including the Station Street School in Ashtabula and Collinwood High School in Cleveland.  

In those days as now, Agnes would have had to sign a contract upon her employment, agreeing to perform her duties faithfully and diligently. Her duties included not only teaching but also janitorial duties. She would have had to start the fire on winter mornings before her students arrived and sweep and scrub the floors and wipe down the desks and chalkboards at the end of the day.  

She also had to abide by a high standard of conduct in her personal and professional life. As a model of virtue to her pupils, she was expected to avoid anything that might give the slightest hint of scandal.  This meant that she could not be alone with a man unless he was her father or brother. Further, she could not marry during her teaching career.  She could not smoke, drink, or even dye her hair.  She was expected to be home by eight at night.  And home could not be just any place.  Her teachers' pay would have been meager, making it difficult to afford her own home.  If she did not reside with her own family or in a teacherage - a dwelling next to or part of a one room schoolhouse, she would have rented a room from a respected local family.  As a result, she lived in several places during her career, seemingly according to where the jobs were. 

These rules were not unusual in nineteenth and early twentieth century America.  In fact,  to see a typical teacher's contract and rules in 1905 for teachers in Ames, Iowa, another midwestern town, click here.

However, with so many regulations, it is understandable that many women did not teach for more than about five years.

Agnes, though, taught for most of her life and never married.  She retired sometime before 1940.  By then she was 67 and shared a home in Cleveland, Ohio, with her sisters Maggie, Di; and a nephew, John Cherry.  They occupied their days with reading, baking, and visiting friends and relatives; and they spent their summers with the extended family at the cottage of my maternal grandparents, Ralph and Alice (McGinnis) Schiavon at Big Blue Lake, Michigan.

As with several of her sisters, Agnes suffered from obesity and its consequences.  She developed arthritis in her later years and suffered further as she watched her close-knit family succumb to heart disease and various forms of cancer.  She, Maggie, and Di seem to have moved back to the family home at 397 Mill Street in Conneaut in the late 1940s, perhaps because of their failing health.  Frances (Gaffney) Cherry, who had been widowed some time before, still lived there, as did her son, John Cherry.  John Gaffney (another of the Gaffney siblings) had died before 1920, but his daughter, Nancy, was in her 40s by then and also lived in Conneaut.

Maggie, who had suffered from kidney and heart disease, died in 1949. The following year, Agnes was diagnosed with bladder cancer.  It must have seemed like her world was caving in when her sister Delia developed uterine cancer shortly afterward. Still, the sisters were as strong in spirit as they had been close their life long. Despite the gravity of their condition, they helped one another as best they could, together with their older sister Frances "Frank," who was suffering from heart failure.  According to my mother, Joan (Schiavon) Huesca, they never lost their sense of humor and love of life through it all.

In the spring of 1952, Agnes entered Conneaut's Brown Memorial Hospital.  When she died there on April 4, 1952, her nephew, John Cherry, noted that she was only two days away from her 80th birthday.  

Delia and Frances would follow her within the next 12 months.  



Also in this series about Agnes Gaffney:




**********

Copyright ©  2013  Linda Huesca Tully


Are you a member of the Gaffney, Huesca, McCormick, McGinnis, or Schiavon  families? Share your memories and comments below.

Monday, July 08, 2013

Mystery Monday: Hotel LaRose



Agnes Catherine Gaffney (1872 - 1952)
Jane (McCormick) Olson (1927 - 2011)
Part Two of Three


Hotel LaRose, Santa Rosa, Califormia.
Pencil drawing by Ruth Robertson.  Date unknown.

In yesterday's post, we looked at a book that belonged to my great-grand aunt, Agnes Catherine Gaffney. Agnes, blessed with a beautiful soprano voice, would have sung from this beautiful hymnal, Fischer's Album of Sacred Solos for High Voice, at Catholic Masses, in her hometown of Conneaut, Ohio.  


This century-old book has made its way down four generations since Agnes used it in the mid-1890s. It came to me recently from my second cousin "S.", who inherited it from her late mother, Jane (McCormick) Olson.

Inside was a long sheet of thin onion paper between the second and third pages, ostensibly protecting a 9" x 12" sheet of white paper with the pencil sketch shown above.  The drawing is not dated, and there is nothing on the reverse. It has two small pieces of scotch tape on the back bottom corners, as if it had been taped to a picture mat and framed.

The drawing depicts a three-story stone building, called the Hotel LaRose, flanked by two large evergreen trees and a tall palm tree in front.  There is no other writing except for the words "Restaurant & Lounge" on the front of the awning on the lower right hand corner.  


At first glance, I guessed it to be an early sketch by my late great-aunt, Benita (McGinnis) McCormick, a well-known local artist. I wondered whether it had some significance to her, or to Aunt Agnes.  But I also wanted to know:  what was it doing in her hymnal? 

Aunt Agnes' hymnal.

Then I put on my glasses - a must these days if I really want to see things as they are! - and looked at the sketch more closely. It turns out the sketch was not signed by Benita, but by Ruth Robertson, who as far as I know is not a relation. 

And there was another thing. Palm trees do not grow in Ohio. The weather is too cold for them. The Hotel LaRose had to be from somewhere else. But where?

I went online and searched for "Hotel LaRose."  The first result revealed a Hotel La Rose in Santa Rosa, California, at the heart of its historic Railroad Square.  When I looked at the hotel's website, I found a photograph that was nearly identical to Ruth Roberton's pencil drawing.


The website went on to note that this lovely hotel was built in 1907, a year after the Great San Francisco Earthquake.  It is listed as a historic hotel with the National Trust for Historic Preservation and was restored in 1985. 



An earlier photograph of the hotel, taken in the mid-20th century, shows that unlike the drawing, none of the windows had any awnings. This begs the question as to whether they were there in the early days or were added after the 1985 renovation.  The answer could help date the picture and even give us a clue about the artist herself.  Google searches did not reveal an artist named Ruth Robertson, much less anyone by that name who lived in Santa Rosa.



Jane Olson and her husband, Eldon "Ole," retired to Santa Rosa in the mid-1980s.  Did they obtain the sketch while living there, maybe from Ruth Robertson herself?  Given their Santa Rosa residence, this seems like the most plausible explanation.

My guess is that there was no connection between the drawing of the Hotel LaRose to Agnes' hymnal or even to Agnes herself, for that matter.  More likely, the large hymnal happened to be a safe place to store the drawing all these years.  

What meaning did it have for Jane?  She did not keep things frivolously unless they had some value or special significance.  Did she and Ole stay overnight at the Hotel LaRose?  Or was this a gift from a friend, a fellow retiree, or even Ruth Robertson?  

If you have any thoughts, let me know.  Otherwise, a trip across the Golden Gate Bridge to the north bay might be in order.  I think I know a good place to stay.


Also in this series about Agnes Gaffney:



**********

Copyright ©  2013  Linda Huesca Tully


Are you a member of the Gaffney, McCormick, McGinnis, or Olson families? Did you know Ruth Robertson, or do you have stories about the Hotel LaRose? Share your memories and comments below.

Sunday, July 07, 2013

Church Record Sunday: Sacred Solos for High Voice


Agnes Catherine Gaffney (1872 - 1952)
Part One of Three


Agnes Catherine Gaffney
Not long ago, my second cousin gave me a lovely songbook that had belonged to her late mother, Benita Jane (McCormick) Olson and before her, our mutual great grand aunt, Agnes Gaffney.

Titled Fischer's Album of Sacred Solos for High Voice, it evidently was given to Agnes by her older sister, Lyle (Elizabeth) Gaffney, in 1895. Agnes would have been 23 at the time.  Perhaps that is her approximate age in the photo at right, part of a larger group portrait taken with her five sisters, Janie, Lyle, Maggie, Di, and Frances. 

The book was published by J. Fischer & Bro., an American music publishing company established by brothers Joseph and Ignaz Fischer in 1864.  Originally based in Toledo, Ohio, the brothers moved the company to New York City eleven years later.  The company appears to have published mainly sacred and secular music for choral groups, with organ or piano accompaniment.
Aunt Agnes' hymnal of solos for high voice.

Agnes' book is quite large, measuring about 10" x 14".  Its 116 pages, beautifully edged in red, contain sacred music from some of the great composers, including Gounod, St. Saens, and Verdi.  It remains in good condition, though the corners have become dogeared and the cover has begun to fray.

Inside the book is a dedication to Agnes from her sister, Elizabeth, whose nickname was Lyle:


Agnes Katharine Gaffney
From Elizabeth
Fond du Lac, Wisc.

October 23, '95




The first page, inside, is dedicated to Agnes by her sister Lyle.

This page shows the publication date of 1894, in
New York and Toledo, Ohio, by J. Fischer & Bro.


Born in Conneaut, Ohio, on April 6, 1872, Agnes Catherine Gaffney was the youngest surviving child in the family of of ten Gaffney children. She was said to be "as sweet as the day was long," and her niece, Benita (McGinnis) McCormick, wrote that she had the "voice of an angel."  Her grand-niece (my mother), Joan (Schiavon) Huesca, also admired her beautiful singing voice, understandably so given that she could not carry a tune herself.

Vintage postcard of Saint Mary's Church and School,
Conneaut, Ohio
Singing in her church choir was one of the things Agnes would have been encouraged to do as an educator and influential member of her community.  I can picture her, primly dressed, opening her book during Sunday Mass at Saint Mary's Parish, which was right down the street from the Gaffney House. I can imagine her stepping forward for her solo, looking demurely down at her book and glancing up towards her family as she sang the Ave Maria in her soprano voice with all her heart.  Maybe her dulcet voice was partly the reason this hymn was a Gaffney/McGinnis family favorite.

Also in this series about Agnes Gaffney:  



**********

Copyright ©  2013  Linda Huesca Tully


Are you a member of the Gaffney, Huesca, McCormick, McGinnis, Olson, or Schiavon  families? Share your memories and comments below.

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