Wednesday, March 04, 2015

Wedding Wednesday: Ole and Jane (McCormick) Olson


Benita Jane "Janie" (McCormick) Olson 
   (1927 - 2011)
Elson "Ole" Olson (1924 - 1994)

Secret courtyard passage, Carmel-by-the-Sea
On May 6, 1960, while 20 million television viewers watched England's Princess Margaret marry Anthony Armstrong-Jones at Westminster Abbey, Eldon Olson and Benita Jane McCormick were being married in front of two witnesses in the quaint village of Carmel-by-the-Sea.

Ole and Jane, as everyone knew them, had opted for a quiet wedding ceremony on the Monterey Coast, some 100 miles south of San Francisco International Airport, where they worked for Trans World Airlines. Charmed by Ole's romantic invitation to her to spend her life seeing the world together, Jane gladly said "yes" and set off to buy herself a wedding dress.

Unlike Princess Margaret and her groom, who arrived at Westminster Cathedral in a royal horse-drawn carriage amid a grand entourage, Ole and Jane drove for nearly two hours down to Carmel in a little Volkswagen Beetle, accompanied by their friends, Jerry and Sue Williams.  It would have been a cool and clear spring day, with temperatures ranging between 50 - 64 degrees Fahrenheit. Once there, they headed into the picturesque Church of the Wayfarer at the intersection of Seventh and Lincoln Streets.

Ole and Jane (McCormick) Olson on their
wedding day, May 6, 1960, at the Church of
the Wayfarer, Carmel-by-the-Sea, California.
Inside, Sue Williams would have helped Jane change into her wedding dress, which we see here.  In her typical good taste, it was a stylish knee-length pale blue taffeta dress cinched at the waist with a satin belt, with a full skirt and a demure broad v-neck collar adorned with a large bow and chiffon-like three-quarter length sleeves.  A small pillbox hat with a short wispy veil crowned her head. 

This snapshot shows us the happy couple just outside the church after the wedding ceremony. Jane smiles obligingly, her veil blowing lightly in the Carmel breeze.   Ole, his arm around his bride, looks at her and not the camera, standing tall and proud.

Unlike her extroverted mother, Benita, or even the British royal family, Jane was never much for fanfare. For her, getting married was all that mattered, and as long as she and Ole were together, she wanted nothing else - neither a big wedding, nor guests, nor gifts.  Even the simple gold band Ole slipped over her finger acted as both engagement and wedding ring.

A congratulatory telegram from friends of
Ole and Jane Olson in care of the Church
of the Wayfarer, notes the wedding took
place in the afternoon of May 6, 1960.
Initially, Jane might have been apprehensive about telling her parents, Benita and Phil McCormick, after the fact. Then again, they had recently flown to Barcelona, Spain, for an indefinite stay.  She saw no reason to interrupt their stay by asking them to come home for the brief ceremony. She sat down and wrote them a letter announcing the news.

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Copyright ©  2015  Linda Huesca Tully



Sunday, March 01, 2015

Sentimental Sunday: Loving and Letting Go



Benita Elizabeth (McGinnis) McCormick 
   (1889 - 1984)
Phillip Columbus McCormick (1892 - 1981)
Phillip Eugene "Bud" McCormick (1927 - 2004)
Benita Jane "Janie" (McCormick) Olson 
   (1927 - 2011)
Elson "Ole" Olson (1924 - 1994)


Benita Jane McCormick, known as "Jane," circa 1960.
As happens eventually to parents everywhere, Phil and Benita McCormick must have wondered how they could have just blinked one day and looked up to find their son and daughter all grown up: living independently, working, falling in love, and starting families of their own.

Their son, Bud, married a local beauty queen named Ruth Kant sometime in the 1950s.  Bud and Ruth had a daughter, but their marriage was short-lived.  Some time after their divorce, Bud fell in love again, this time with a young woman named Barbara Bowman. They married, had five sons, and established a home in the Chicago suburbs. 


Jane went away to university in New Mexico to major in English and worked during her summer vacations as a "Harvey Girl" at the Fred Harvey Bright Angel Lodge at Grand Canyon, Arizona.  After a few years, she was offered a job as a reservations agent for Trans World Airlines (TWA) in California.  She worked for the airline in Fresno for a short time before transferring as a ticket agent to San Francisco International Airport, where she met a handsome and charming Norwegian-American TWA freight agent, Eldon "Ole" Olson.

This menu cover from Bright Angel Lodge at Grand Canyon,
Arizona, hung in Jane (McCormick) Olson's kitchen for many
years, a fond memory from her days there as a Harvey Girl
.

Meanwhile, by 1959, Phil, who had retired some years before, and Benita were feeling lonesome for their daughter. They sold their home in Chicago and moved to California,  renting an apartment at The Arlington at 1401 Floribunda Avenue in Burlingame, near the airport.  It was a big move for a couple entering their 70s, but they were thrilled to be closer to Jane and looked forward to seeing her often.

A TWA gate agent offers his hand to
Jane McCormick as she disembarks
a jet on one of her many travels.
At 32 years old, she was having the time of her life, working for a major international airline during the Golden Age of air travel.  It was the same way Phil had felt during early days with the railroad in the 1920s. 

In 1960, most airports were new and clean, bright places that attracted not only business and leisure travelers but also the curious who came to see what all the fuss was about. And there sure was a lot of fuss. Large concourses displayed artistic tourism posters beckoning people to see new places. Passenger lounges offered travelers and would-be travelers enormous windows to gaze through at sleek and silvery jet airplanes that promised to take them in style to see their families, or maybe even to an exotic vacation abroad, much quicker than by rail or boat. Airline employees, usually clean-cut young men and women, wore crisp uniforms, enjoyed good pay and flight benefits, and received special training in customer service, charm, and etiquette.   

Eldon "Ole" Olson, year unknown
Passengers at the time were generally from the middle and upper classes. Decked out in smart outfits and wearing the latest hairstyles, they came to airports to see and be seen. Those traveling for pleasure were typically accompanied by large entourages of family and friends who saw them off and greeted them on their return as if they were the most important people in the world.  

No wonder, then, that Jane and Ole's courtship felt so magical, especially against this glamorous backdrop.  Ole Olson was everything Jane had dreamed of:  funny and bright, kind, attentive, and romantic.  She could not believe the similarities between him and her father.  Like Phil McCormick, Ole was fair-skinned and fair-haired and was from Minnesota. To top it off, he was a freight agent (and later supervisor of ramp services) for TWA, just as Phil had been a freight agent for the railroad.  

When asked years later about those days, Ole recalled that Jane was the most beautiful woman he had ever seen.  He loved her lilting laugh, the way she looked up at him through her clear blue eyes and long dark eyelashes, and the graceful way she moved through a room.  He teased her about being sentimental, but he loved her for it, all the same.  

It gradually became clear to Benita and Phil that their little girl was falling in love with Ole Olson.  As she began spending more time with him and less time with her parents, they reluctantly had to admit that they were no longer at the center of their daughter's life.  

Sometimes love is about letting go.  As much as they understood that, Phil and Benita also  realized they would have to find something else to fill their new-found time.  So just months after arriving in California, they closed up the apartment and obtained two one-way TWA airline passes to Barcelona, Spain, to begin the next phase of their lives.

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Copyright ©  2015  Linda Huesca Tully

Tuesday, February 10, 2015

Talented Tuesday: Lady in Winter


Benita (McGinnis) McCormick (1889 - 1984)


Benita (McCormick) McGinnis drew this untitled
chalk rendering in Chicago, possibly in 1931.
 
With winter snow and rain storms in full force across the world this week, it seems appropriate to post this chalk drawing by my great-aunt "Detty," Benita McCormick.  

The back of this portrait contains no information to date it, but it resembles  Aunt Detty's artistic style during the early 1900s. If you look closely, you can see the outline of the thin brown wooden frame that held the portrait for decades until it fell apart in the late 1980s.  

The writing in the lower right hand corner of the picture is barely visible, but there seems to be a number, possibly "'31," which could indicate that Aunt Detty drew this in 1931.  

The picture is untitled, as far as I can see, but I call it the "Lady in Winter."  On the back you can see that my aunt purchased the art board at a Chicago art supply store for 75 cents.

Aunt Detty's daughter, Jane (McCormick) Olson, gave me this picture in the mid-1980s.  I took it out at Christmastime to display on my antique dresser, across from a table lamp that also belonged to Aunt Detty and a small statue from one of her travels. 


The Lady in Winter, still as beautiful as she was when Aunt Detty
created her nearly a century ago, today sits contentedly on my
antique dresser, a reminder of an elegant and gracious era. 
This "Lady in Winter" looks quite content here, dressed fashionably in her red wide-brimmed hat as a stray lock of her gathered-up hair catches the wind.  A matching thick red scarf gently drapes around her high neck, falling softly over what looks like a fur coat so typical of middle class midwestern ladies at the time. A steady snow swirls around her as she serenely yet confidently makes her way down the street against a stormy sky, just before dusk. Her lips slightly pulled back into a near-smile, she looks straight ahead as if anticipating a pleasant event or meeting.  It is easy to imagine her warming up the room when she walked in, turning heads with her fine features and rosy countenance.

She is, the more I think of it, rather a lot like Aunt Detty.

Where is she going?  Who is she meeting?  Only she knows.  What I do know for sure, though, is that the Lady in Winter cheers me up every morning as she sits there on my dresser, reminding me that no matter what weather lies ahead, it is one's light from within that warms the heart and cheers the soul.  

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Copyright ©  2015  Linda Huesca Tully

Wednesday, February 04, 2015

Wisdom Wednesday: Young for Such a Little While


Benita Jane (McCormick) Olson  (1927 - 2011)


Jane McCormick, Chicago, Illinois,
circa 1938
Of all their accomplishments, none brought greater joy to my great uncle and great aunt, Phillip and Benita (McGinnis) McCormick, than their two adopted children, Phillip Eugene and Benita Jane, known as Bud and Jane.

My mother, Joan (Schiavon) Huesca, told my sisters and me many stories about her cousins, as they lived only a few blocks from her in Chicago, Illinois. She was quite the tomboy and played mostly with her cousin Buddy.

Jane preferred to stay out of the mischief that my mother and Bud always seemed to make.  It would not be until many years later that Jane and my mother grew close as they discovered in each other common values and experiences as daughters, sisters, wives, and mothers.

At Jane's funeral in 2011, her daughter, Suzanne, shared this poem from her mother's leather scrapbook.  Jane had penned it at the tender age of 16. The Chicago Tribune had published it, no doubt making Jane's own creative mother, Benita, quite proud.


Wistful and wise, the poem is subtly humorous and self-effacing, so characteristic of Jane's personality.  It reminds me of one of her favorite childhood authors, A.A Milne, who wrote the Winnie-the-Pooh books.


When I was very young (almost a year ago)
And thought myself so awfully wise,
I'd sigh and smugly say,
"Aren't children brats?" and
"What makes them act that way?"
I saw them with unseeing eyes.

But now when little girls are lost in make-believe
And grimy boys make cops-and-robbers' sounds, I smile
Glad to hear that happy noise
And wish that I could lose myself, or climb a roof
And skin my knee, as do the boys - 
We're young for such a little while.


- Benita Jane McCormick
   Chicago, Illinois, 1944


(Gratefully published with permission from 
Jane's daughter, Suzanne Olson Wieland.)

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Copyright ©  2015  Linda Huesca Tully

Friday, January 30, 2015

Friday's Faces from the Past: The McGinnis Family Portrait


Mary Jane (Gaffney) McGinnis (1858 - 1940)
Benita (McGinnis) McCormick (1889 - 1984)
Francis Eugene McGinnis (1891 - 1961)
John Charles McGinnis (1894 - 1944)
Alice Gaffney (McGinnis) Schiavon (1895 - 1963)


Some time during the late 1930s, the now-adult McGinnis children: Benita, Alice (my maternal grandmother), Gene, and John, gathered at the family home at 8336 Drexel Avenue in Chicago, Illinois,  with their mother, Mary Jane, for a family portrait.



The McGinnis family in the living room of the family
home at 8336 Drexel Avenue, Chicago, Illinois.  
 Clockwise, left to right: Alice (McGinnis) Schiavon,

Eugene, John, Benita (McGinnis) McCormick, 

and Mary Jane (Gaffney) McGinnis.  Circa 1936 - 1939.



As far as I can tell, this was their last portrait together.  Diminutive matriarch Mary Jane died on July 13, 1940.  By early 1963, Benita, the eldest, was left, her two brothers and sister having preceded her in death and leaving her to succeed their mother as the head of the now-extended family.  

As with another photograph of the family at Sunday dinner in the same home, this picture resonates with me because of its uncanny similarity to the living room in the first home my husband and I owned, in San Jose, California.  Just by looking at this photo, I know the half-height bookcase was one of two that sat under small windows and framed a simple yet elegant Craftsman-style fireplace.  

We did not have a similar decorative screen in our own front window, however. I suspect the  photographer might have placed the one in the picture there for aesthetic purposes, to block out the street view and not distract from the subjects. I wish I'd done something like that when we took pictures in the same spot in our own family home so many years later!
  
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Copyright ©  2015  Linda Huesca Tully

Thursday, November 13, 2014

Thankful Thursday: Moves and Migrations




This site has been a bit quiet over the past few months.  If you've wondered why, it's because blogging has had to take a back seat for a short time while we moved to a new home.

A rose from our garden
Growing increasingly weary of "big" city life, some months ago my husband and I sold our home and moved our family to a smaller community.  We were looking for a slower pace of life and a closer connection to people and the beautiful outdoors here in Northern California.

I guess you could call our move a mini-migration of sorts.  After all, we didn't go all that far.

As anyone who has moved from one house to another can attest, moving is a time-consuming and sometimes painful process.  You agree to give up the known for the unknown; purge the excesses of your life; pack the loved and necessary; unpack and put it all away again; and give family, friends, and service providers your new address. It can be exhausting.  It can be even more daunting to think about going to a new area altogether, whether it is a new town, a new state, or even a new country.

As it turned out, we moved not once, but twice.  Our house sold in less than a week.  With scarcely enough time to buy a new one, we rented a small, quaint Victorian house in a high-tech city to the north while we looked for a house in a valley to the south. We were hardly there when we found our small-town dream home, made an offer, and moved in three weeks later.  It happened so fast, we could hardly believe it.

The move has been good for us. People here are friendly and welcoming. We now live on the far edge of a town some 35 miles south of our old stomping grounds.  It could not be more different than what we left.  There is no traffic, no smog, no hustle and bustle here.  Set in the foothills, our home backs up to an open space of majestic oak trees, pristine skies, and plenty of wildlife.  We inherited some gigantic koi fish who have accepted us - and our dogs - into their kingdom. Our three four-legged creatures, of course, are quite fascinated by their new fair-finned friends.  (Okay, maybe the interest is in their fish food pellets, which resemble dog chow. One of our smaller dogs, Kira, has either fallen or jumped in three times already to get a closer look!)

About the only downside would be our commute to work.  It takes longer than before, to be sure, but the scenery along the way is breathtaking, and the time we have to talk in the car is a true gift. 

In all, it took us some 20 weeks to get here.  Putting it in perspective, that's 284 cups of morning coffee for two people; over 300 boxes of "stuff" (72 of which were just for books); 14 pairs of hands to get those boxes from one place to another; four storage units; and 18 meetings with our Realtor, contractor, and lender.  

We moved in a month ago and are still unpacking and purging, figuring out the nuances of the new house, and finding our way around town.  Like any adventure, it has not been without its ups and downs, but the blessings that have come from them have been great.

This move also has been an occasion to reflect on the many trials our ancestors endured in their own moves and migrations so many years before us, as they left the familiar for places unknown in search of a better life and greater opportunities. The risks we take and sacrifices we make today pale when placed next to theirs.
My great-great grandmother,
Catherine (O'Grady) Perrotin,
1884.

Take my great-great grandmother, Catherine (O'Grady) Perrotin.  When she was barely a teenager, poor and hungry, she and her older sister left their home in Waterford, Ireland, almost 200 years ago and sailed to New York in search of a better quality of life. Catherine had no idea where life would take her, but she trusted in God that all would go well.

And it did. She moved once or twice again after arriving in New York and ended up in Shreveport, Louisiana. There, she found work as a seamstress and married a French baker, François Perrotin.  

Catherine would move four more times during her lifetime. The first move was to nearby New Orleans. When the Civil War broke out, the Perrotins left the South for the peace of Niagara Falls, New York. A few years after that, attracted by the burgeoning railroad industry in Mexico, they relocated again, this time to Orizaba, a small mountain town on the Mexican east coast.

Catherine Perrotin built this house in Ruardean, Gloucestershire,
 for her family. Wanting them to remember their origins, she
had it built in the same style as their home in Mexico.  She named
the new family home "Orizaba Villa."

Catherine and François lived in Orizaba for nearly two decades.  They became integral members of the community and raised two children there before François' death from meningitis in the late 19th century.

This time, it was a widowed Catherine who moved, alone, back across the ocean to England, where her daughter and British son-in-law had gone with their children a few years earlier. To get there, she had to travel by train to the port of Veracruz, take a small boat across the Gulf of Mexico to New Orleans, travel overland to New York, and sail across the Atlantic, traveling overland again to reach her daughter's home in the south west of England. 

Despite the rough and cold waters of the Atlantic, the sea-sick yet determined Catherine arrived in Ruardean, Gloucestershire, in the winter of 1895. She lived a contented life with her daughter and grandchildren until her death some six years later. Her legendary spirit and resolve live on today through her descendants now scattered throughout the world.

Yes, our own little move is small compared with my great-great grandmother's many long-distance moves, but our motives have not changed.  Today, as I unpack yet another box, I remember dear Catherine and my other family members - including my own parents - who moved to new places in search of better lives. I thank them for crossing oceans and mountains and plains, for enduring hardships and overcoming obstacles and uncertainties, because without their sacrifices we would not be where we are today.

I will always remember them with a grateful and hopeful heart, never forgetting where I came from and all those who helped our family "get there."

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Copyright ©  2014  Linda Huesca Tully

Thursday, October 02, 2014

Thankful Thursday: A Passion for Creating


Benita (McGinnis) McCormick (1889 - 1984)


Benita (McGinnis) McCormick,
Milwaukee, Wisconsin

When my  great-aunt Detty, or Benita (McGinnis) McCormick, was born 125 years ago this week (September 30, 1889) in Conneaut, Ohio, I doubt her parents had any idea their daughter would be so passionate about the arts and making her mark on the world.

But that is exactly the way she was all her life. Considering that she lived in an era when society expected a woman to defer to husband and family and home, often putting off her own life dreams, she was unafraid to be her own person and  had her own ideas about how she should develop her talents and accomplishments.

The late 1930s and 1940s saw her broaden her interests as she proved she was not only an accomplished painter and short story writer but also a published playwright and songwriter.

In an earlier blog post, we read a 1937 letter to Benita from The Jewel Tea Company, thanking her for the use of a short story for their commercial Christmas cards.  During that same year, she wrote the lyrics and melody for a musical, "Gingham Apron Strings."  The musical is on file in the Library of Congress and features five rather jaunty songs.  I have not yet been able to obtain copies of the script or the lyrics to the songs (whose titles appear below), but it is easy imagine that their theme and lyrics were as spunky and spirited as their author:

Quick as a Wink
Ha, Ha, I'm Laughing at You

Rumble, Rumble, Rumble

You May Part Your Hair in the Middle

Let's Go to Town on a Waltz


This article, from an unidentified
newspaper (possibly the Chicago
Tribune?) was written sometime
during World War II.  The
original clipping still resides in
Benita McCormick's scrapbook.
Benita adored her mother for her tender qualities and homemaking talents, but she was not the "domestic goddess" her mother was. Nor, for that matter, did she want to be.  In this regard, she was rather like her younger sister (my maternal grandmother) Alice (McGinnis) Schiavon, eschewing the idea of  being homemakers in favor of being artists and businesswomen.  They likely inherited their streak of independence from their father, Thomas Eugene McGinnis, and their five maternal aunts, four of whom were working women and never married.  

Choosing to not stay at home was an unpopular choice for  women in the years leading up to World War II. Indeed, many people at the time believed that women should have no choice in the matter at all.  Despite the passage in 1920 of the 19th Amendment, which gave women the right to vote, it was still considered "unnatural" for women to pursue work or interests outside the home.

Thankfully for us, Benita McCormick was not one to be deterred by what others thought or said, and she followed her heart's passion, creating thoughtful and sometimes provocative works throughout her life.

This 1940s clipping from an unidentified newspaper in Aunt Detty's scrapbook of memories, tells of her unique contribution to the morale of soldiers in the Second World War:

During World War I, when every one was knitting for the Red Cross, Mrs. Benita McCormick, 8032 Vernon avenue (sic), wasn't.  She couldn't.  She made several vain attempts and gave up the idea.  For her part tho (sic), she painted and gave to the Red Cross a poster which they used quite extensively. 
Now, in World War II, Mrs. McCormick still can't knit.  Her contribution this time is a song, "You're an American, 'n' that Means Free."  It's being readied for publication now.  She got the idea for the song when she saw movies at the battle of the Midway.  She was much impressed with two young anti-aircraft fighters who were shown briefly, and remarked later, "We'll surely win with boys with Plymouth Rock chins like that."  That provided the inspiration for her song, and it has a line, too, about the "Plymouth Rock chin." 
Mrs. McCormick is a former member of the motion picture censor board, and is now secretary of the Delphian society.


Benita was one of those fortunate people in the world who was not only talented but figured out how to make her passions work for others and for her.  In a future post, we will learn more about this side of her from yet another newspaper account about the accomplishments of this fascinating lady who was at her happiest when engaging in the world in her own unique way.

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Copyright ©  2014  Linda Huesca Tully



Monday, September 29, 2014

Amanuensis Monday: They "Liked it Immensely"


Benita (McGinnis) McCormick (1889 - 1984)


Letter to Benita McCormick from The
Jewel Tea Company, thanking her for
her Christmas story and enclosing a
check for $50 as payment in full.  From
Benita McCormick's scrapbook.
[Note:  Amanuensis is an ancient word meaning one who performs the function of writing down or transcribing the words of another.  Derived from the Latin root manu-  , meaning manual or hand, the word also has been used as a synonym for secretary or scribe.]

One morning in mid-December, 1937, just months after returning from her trip to Mexico with my great-uncle Phil, my great-aunt "Detty," or Benita (McGinnis) McCormick, opened her mailbox to find a check in the amount of $50.  It was payment for a Christmas story she had sold to The Jewel Tea Company for use in their company Christmas cards. 

The Jewel Tea Company originated in Chicago, but as its success grew, the company relocated to Barrington Illinois.  Though the company originally started out selling tea and coffee, it gradually expanded to include a trademark china pattern and a variety of household goods.

Whether or not the Christmas cards noted here were sent to customers is a mystery. So, too, are the cards themselves and even the subject of this letter, The Story of Shamus Beg.   Nonetheless, knowing my Aunt Detty's vivid imagination, her story must have been filled with fanciful prose and whimsical sketches of leprechauns, or "little people," probably based on the tales she heard during her travels in Ireland nearly a quarter of a century earlier.  




                                                                     December 10, 1937
Mrs. Phillip C. McCormick
8032 Vernon Avenue
Chicago, Illinois
My dear Mrs. McCormick:
I purposely delayed sending you your check because I had hoped to be able to include a few copies of our Christmas card.  However, I appreciate the continued urge to "do your Christmas shopping early," and I am therefore sending your check today.  The cards will come pronto. 
Naturally, the check is payment in full for all your right, title, and interest in and to "The Story of Shamus Beg."  You will be delighted to know that all those folks who had an opportunity to "preview" the story liked it immensely.  It has the qualities of charm, simplicity, and dignity, which ought to make it ideally suited as a Christmas greeting.
I am returning under separate cover the material which you had given me earlier this year. I was very happy to be able to use your story and if in my contacts I come across people who are interested in stories of this nature, you may be sure I will keep you in mind.
Best personal regards.
                                                               Sincerely,
                                                                         THE JEWEL TEA CO.
                                                                         
                                                                         By:  Clayton N. Watkins, Chief 
                                                                         Publications Division


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Copyright ©  2014  Linda Huesca Tully

Thursday, September 25, 2014

Treasure Chest Thursday: There Was an App for That


Phillip C. McCormick (1892 - 1981)
Benita (McGinnis) McCormick (1889 - 1984)


Phillip Columbus McCormick,
circa 1914.
From the scrapbook of Benita(McGinnis) McCormick.

My great-uncle, Phillip Columbus McCormick, who always loved the Spanish language, must been smitten with it during the trip that he and my great-aunt Detty, Benita (McGinnis) McCormick, took to Mexico in 1937.


But unlike many people in the 21st century who rely on electronic applications, or "apps," to aid with translating and pronouncing foreign words, Uncle Phil used something more basic and tangible. And in this age of hardware and software updates and crashes, his handy little tool happily endures to this day.

One day while in downtown Mexico City, he visited an American bookstore and stumbled across a small, cloth-bound phrasebook, Spanish for your Mexican visit. It was authored by Frances Toor, an American anthropologist who wrote several books on the Spanish language and Mexican culture. It contained everything he could have needed in his travels.

This small book, written by American anthropologist
Frances Toor, contains chapters on culture and language
for the traveler and the expat living in Mexico.
Ms. Toor geared the book toward expats and tourists, filling it with helpful vocabulary and relevant chapters, such as ordering food, visiting the doctor, asking for directions, and haggling for souvenirs. Her short, chatty paragraphs about the people and various practical situations could easily put newcomers at ease.  She even included pertinent, full page advertisements before each chapter for local businesses, such as restaurants, hotels, and jewelry stores.  While the ads must have helped defray publishing costs, they were probably among the few English-language ads for places and services that British and American tourists would have needed - and found -  during their stay.


The inside cover page bears the name of its owner,
"P. McGinnis       Mexico City  8/30/37"

I don't recall Aunt Detty ever trying to speak Spanish, or for that matter any other language.  She would have left that to Uncle Phil.  Indeed, she was proud of his gallant efforts to carry on a conversation in Spanish, as it helped them make friends wherever they went.

Of particular interest to Uncle Phil would have been the chapters on bookshops and recreational activities, as he was an avid reader and golfer and loved to watch bullfights.  I can imagine him calling his artist wife's attention to the ad below for A.C. Garies Almacen de Pinturas, or Art and Paint Store, in Mexico City.  Aunt Detty never traveled anywhere without recording her impressions artistically, and knowing where to find good paint supplies would have been at the top of her list for shopping.

Advertisements such as the one above at right, not only reassured
visitors to Mexico that there were goods and services available
that were just as good - or better, in many cases - than some of the
things they would find back home.
This small volume, measuring about 4" square, was the right size to fit nicely in Uncle Phil's coat pocket.  It is still in good shape, and though its pages are gently yellowed with age, it remains a sweet reminder of a young man who long ago leafed through it many times during this and subsequent visits to Mexico (and eventually Spain), in that universal desire to understand and be understood.

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Copyright ©  2014  Linda Huesca Tully




Thursday, August 07, 2014

Those Places Thursday: Postcards from Mexico, Part 5: The Floating Gardens of Xochimilco


Benita (McGinnis) McCormick (1889 - 1984)
Phillip C. McCormick (1892 - 1981)


We wrap up our postcard series by visiting one of the loveliest stopovers Phil and Benita made during their 1937 vacation, the famed floating Gardens of Xochimilco, in the southern region of the Federal District (Distrito Federal), about 40 minutes from downtown Mexico City.


A family enjoys their outing in a "trajinera," or flower-decked gondola, as a young
flower vendor poses in her "chalupa," or vendor's barge. Postcard; Mexico, 1937.
From Benita (McGinnis) McCormick's scrapbook.
Vendor-photographer, his camera mounted on a tripod,
pauses on his "chalupa" as he awaits an approaching

gondola of tourists.  Postcard; Mexico, approx. 1930s.
From Benita (McGinnis) McCormick's scrapbook.
Derived from the Náhuatl words xochitl and milli, Xochimilco means "field of flowers."  Over eleven hundred years ago, the city was built on a lake by the Xochimilca tribe as a system of man-made islands, called chinampas, and canals for farming and navigation purposes.  It later was expanded as a waterway to the ancient Tenochtitlán, another city on a lake which would one day become the center of Mexico City.



Back in the 1930s, as today, colorful trajineras, open air wooden gondola-like boats covered with elaborately decorated arches, glided lazily through some 110 miles of canals, offering tourists and Mexican families on weekend outings a chance to convivir, or enjoy one another's company.


Tall and graceful, Juniper trees line waterways in Xochimilco.  Postcard,
1930s, Mexico.  From Benita (McGinnis) McCormick's scrapbook.
Phil and Benita and their friends, John and Mary Coates, probably spent an idyllic afternoon here. Always living in the moment, they would have laughed and told stories, feasting on a picnic lunch and reclining on the long wooden benches of their trajinera. As the hours passed, they would have bought flowers and souvenirs and enjoyed the music coming from passing canoe-like chalupas.  Maybe Phil and John would have even hired a group of mariachis to serenade their wives with a love song such as Agustín Lara's "Veracruz," and the two couples might have found themselves dancing in that carefree way that travelers do when the boundaries of time and language and space melt away into a languid infinity.

A quiet moment on the waters of Xochimilco.  Postcard, 1930s
Mexico.  From Benita (McGinnis) McCormick's scrapbook.















To read the other installments in this series, please click on the links below:

Part One: Postcards from Mexico

Part Two:  Taxco



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Copyright ©  2014  Linda Huesca Tully
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